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-- musicfilmweb the music documentary hub | discover music film skip to content home the riff see it loud watch events mfdb recent posts we see dead people: our favorite music films of 2015 watch now: happy ex-mas! sir doug and the genuine texas cosmic groove ask redux: a band called death icymi: eagles of death metal doc canceled at idfa popular posts apocalypse now: a tour film hits the road with bill callahan a curious life: levelling the screen two nights of ozzy doc at a multiplex near you steve goulding: rumours, mekons, and music films georgia on my mind: chatting with cher's chart-making, music doc-starring mom “he's the man for me who comes down from the mountaintop with the tablets of stone.” the edge on leonard cohen in leonard cohen: i'm your man -- last days here -- acoustic routes -- hardcore devo live! 3 comments mfblog we see dead people: our favorite music films of 2015 posted on december 18, 2015 by andy markowitz tweet clockwise from top left: kurt cobain: montage of heck, a poem is a naked person, amy, orion: the man who would be king this post has been updated with additional year-end picks. 2015 was a bummer for music documentaries. not in terms of quality (as the oscar feature doc shortlist and other awards season exercises attest) or recognition . but, as doc critic landon palmer notes below in his contribution to mfw’s annual roundup of the year in music film, a mournful feeling hung heavy over 2015′s bumper crop of prominent releases. it wasn’t just the trumpeted 27 club triumvirate of amy, kurt, and janis hitting the screens. the music films joining asif kapadia’s amy in oscar contention are heart of a dog, laurie anderson’s audiovisual essay on loss (of her dog and her husband), and what happened, miss simone?, the title itself telegraphing its focus on nina simone’s demons as much as her talent. in orion: the man who would be king , the story of an elvis presley sound-alike maneuvered into masquerading as the resurrected king becomes a tragic southern gothic. in they will have to kill us first , music itself is endangered as a chunk of mali falls to islamic fundamentalists, exposing artists to violence and exile. (the latter film’s producers, by the way, have teamed with index on censorship to launch the music in exile fund for musicians facing threats and persecution; you can learn more and contribute here .) that said, the indomitable spirit of the musicians featured in the they will have to … carried a powerful anti-bummer charge, and 2015 was in no way shy of stirring sonic stories. mavis! provided an utterly joyous portrait of the whirlwind of soul that is mavis staples at 75. landfill harmonic introduced the world to an orchestra of poor paraguayan kids who turn trash into instruments. the year’s one musical subject who by all rights should be dead, former dr. feelgood major domo wilko johnson, miraculously beat terminal cancer, as captured in julien temple’s uplifting the ecstasy of wilko johnson . read the rest » tweet 3 comments leave a comment see it loud podcast #29a: tony palmer part 1 – travels with leonard cohen posted on november 30, 2011 by mfw tweet editor’s note: with the very belated theatrical release in january of the storied 1974 leonard cohen tour documentary bird on a wire , we’re reposting our 2011 interview with the great music-film maker tony palmer on the doc’s tortured history and glorious rebirth. since film sidetracked him from an academic career in the 1960s, tony palmer has been responsible for some of the most incisive and acclaimed music films of the last 50 years, ranging in subject from classical giants to rock gods to opera divas to, in the monumental 1976 bbc series all you need is love, the entire history to date of popular music. after touching on palmer’s work in see it loud #11 , we met up with the man himself last week at the inaugural sound+vision music film festival in sligo, ireland, where he presented two of his films: rory gallagher – irish tour ’74, which captures the incendiary blues-rock guitarist in his prime in his native land, and bird on a wire , an intimate, long-lost chronicle of leonard cohen’s 1972 european tour that re-emerged late last year after a painstaking restoration. the extraordinary tale of how palmer made, lost, rediscovered, and reconstructed bird on a wire is the primary subject of this first half of our two-part podcast with the esteemed filmmaker. read the rest » tweet see it loud #29a: travels with leonard cohen [ 31:02 ] play now play in popup | download leave a comment leave a comment fund it crowdfund these: the rise of deer tick and the fall of sid vicious posted on june 22, 2016 by andy markowitz tweet cult indie rock band deer tick is the focus of upcoming music documentary straight into a storm. readers will have noticed this site has been rather quiet since the end of last year (or maybe they haven’t, which is probably worse). we’ve been on a bit of a hiatus amid a run of the proverbial personal and professional changes, not least a move from my dear old sheffield back to the states, trading in brexit for trump — a political-madness upgrade, if you like. but. while the blog and other content delivery has stuttered, we are very much keeping abreast of things on planet music doc. (and you can still stream and/or download select music films over at our on-demand site, musicfilmweb.tv .) thanks to all the filmmakers and festivals that have continued reaching out; please keep it up. and every now and then we’ll be dipping back in to alert you to choice doings, like, say, a couple of docs in progress from old friends of mfw that are worth your time and your dime. first: deer tick . for those in the know, the words conjure up nights of beery, raucous/rootsy rocking. read the rest » tweet leave a comment leave a comment mfblog watch now: happy ex-mas! posted on december 15, 2015 by mfw tweet in november and december 2012 the ex marked their 33⅓ birthday with a series of shows in london, paris, and amsterdam. but while the traveling “33⅓ years festival” celebrated the dutch anarcho-punk icons’ longevity, it was the farthest thing from an exercise in nostalgia. the ex have always looked forward, never back, and this ecstatic, euphoric concert film from dublin video collective the practice tapes (mission: “capturing the vehemence & vitality of the european underground”) testifies to the exploratory spirit that has fueled the band’s evolution from punk screech into realms of free jazz, no wave funk, and east african groove. now available on demand worldwide via musicfilmweb.tv , the ex: and so say all of us culls peak performances from their three-night anniversary stand at london’s cafe oto, capturing the power and immediacy of a band long known for its formidable live presence. the core quartet of terrie hessels, katherina bornefeld, andy moor, and arnold de boer is augmented with an extra drummer, the brass unbound horn section, and ethiopian dancers temesgen melese and messi, pushing classic late-period ex tracks like “addis hum,” “lale guma,” “maybe i was the pilot,” and “state of shock” into spirals of rhythmic tension and frenzied release. read the rest » tweet leave a comment leave a comment fund it blackhearts: different shades of black metal posted on december 4, 2015 by andy markowitz tweet this is what it looks like when you sell your soul in bogota. the face of black metal is dour, forbidding, probably corpse-painted, and invariably norwegian. right? that’s certainly the popular media image, reinforced by the best-known screen treatment of the subject, until the light takes us . but that 2008 music documentary only told part of the story, a small albeit attention-grabbing part (you know, about murder and torching churches and stuff). the folks at doc production house gammaglimt know there’s more to black metal than that, and they ought to, being both metalheads and norwegians. their latest project, blackhearts , now fundraising at i
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